Mermaids do not exist? Interactive costumes do!

Michaela Honauer; Christian Wiegert; Tahira Sohaib; Fernando Cárdenas Monsalve; Jing Zhao; Maike Alisha Effenberg; Milad Alshomary; Eva Hornecker

doi:10.1145/3152832.3156609

Mermaids do not exist? Interactive costumes do!

Michaela Honauer
, Christian Wiegert
, Tahira Sohaib
, Fernando Cárdenas Monsalve
, Jing Zhao
, Maike Alisha Effenberg
, Milad Alshomary
, Eva Hornecker

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › Academic › peer-review

3 Citations (Scopus)

Abstract

We here present two interactive costumes deployed for a fairy tale performance of a children and youth ballet. These are the costumes of two underwater world characters, a Jellyfish and a Seahorse. Both costumes sense the performers’ motion and decode them to an individual on-body light concept, underlining the role’s expressivity while respecting the overall appearance of the show. A major prospect was to develop the interaction concept according to the choreographic work that evolved simultaneously. Finally, the artistic statement of the costume creators and the choreography are integrated concurrently, and resulted in a harmonious and aesthetically pleasant performance.

Original language	English
Title of host publication	MUM 2017
Subtitle of host publication	Proceedings of the 16th International Conference on Mobile and Ubiquitous Multimedia
Editors	Julie Williamson, Stefan Schneegass
Place of Publication	New York, NY
Publisher	Association for Computing Machinery
Pages	535-540
Number of pages	6
ISBN (Electronic)	978-1-4503-5378-6
ISBN (Print)	9781450353786
DOIs	https://doi.org/10.1145/3152832.3156609
Publication status	Published - 26 Nov 2017
Externally published	Yes
Event	16th International Conference on Mobile and Ubiquitous Multimedia, MUM 2017 - Stuttgart, Germany Duration: 26 Nov 2017 → 29 Nov 2017 Conference number: 16

Conference

Conference	16th International Conference on Mobile and Ubiquitous Multimedia, MUM 2017
Abbreviated title	MUM 2017
Country/Territory	Germany
City	Stuttgart
Period	26/11/17 → 29/11/17

Keywords

Ballet performance
e-Textiles
Interactive costumes
n/a OA procedure

Access to Document

10.1145/3152832.3156609

Cite this

Honauer, M., Wiegert, C., Sohaib, T., Monsalve, F. C., Zhao, J., Effenberg, M. A., Alshomary, M., & Hornecker, E. (2017). Mermaids do not exist? Interactive costumes do! In J. Williamson, & S. Schneegass (Eds.), MUM 2017: Proceedings of the 16th International Conference on Mobile and Ubiquitous Multimedia (pp. 535-540). Association for Computing Machinery. https://doi.org/10.1145/3152832.3156609

@inproceedings{0dc63f4afd5243128f1d496ec61bc376,

title = "Mermaids do not exist? Interactive costumes do!",

abstract = "We here present two interactive costumes deployed for a fairy tale performance of a children and youth ballet. These are the costumes of two underwater world characters, a Jellyfish and a Seahorse. Both costumes sense the performers{\textquoteright} motion and decode them to an individual on-body light concept, underlining the role{\textquoteright}s expressivity while respecting the overall appearance of the show. A major prospect was to develop the interaction concept according to the choreographic work that evolved simultaneously. Finally, the artistic statement of the costume creators and the choreography are integrated concurrently, and resulted in a harmonious and aesthetically pleasant performance.",

keywords = "Ballet performance, e-Textiles, Interactive costumes, n/a OA procedure",

author = "Michaela Honauer and Christian Wiegert and Tahira Sohaib and Monsalve, \{Fernando C{\'a}rdenas\} and Jing Zhao and Effenberg, \{Maike Alisha\} and Milad Alshomary and Eva Hornecker",

note = "Publisher Copyright: {\textcopyright} 2017 Copyright is held by the owner/author(s).; 16th International Conference on Mobile and Ubiquitous Multimedia, MUM 2017, MUM 2017 ; Conference date: 26-11-2017 Through 29-11-2017",

year = "2017",

month = nov,

day = "26",

doi = "10.1145/3152832.3156609",

language = "English",

isbn = "9781450353786",

pages = "535--540",

editor = "Julie Williamson and Stefan Schneegass",

booktitle = "MUM 2017",

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}

Honauer, M, Wiegert, C, Sohaib, T, Monsalve, FC, Zhao, J, Effenberg, MA, Alshomary, M & Hornecker, E 2017, Mermaids do not exist? Interactive costumes do! in J Williamson & S Schneegass (eds), MUM 2017: Proceedings of the 16th International Conference on Mobile and Ubiquitous Multimedia. Association for Computing Machinery, New York, NY, pp. 535-540, 16th International Conference on Mobile and Ubiquitous Multimedia, MUM 2017, Stuttgart, Germany, 26/11/17. https://doi.org/10.1145/3152832.3156609

Mermaids do not exist? Interactive costumes do! / Honauer, Michaela; Wiegert, Christian; Sohaib, Tahira et al.
MUM 2017: Proceedings of the 16th International Conference on Mobile and Ubiquitous Multimedia. ed. / Julie Williamson; Stefan Schneegass. New York, NY: Association for Computing Machinery, 2017. p. 535-540.

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › Academic › peer-review

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AU - Wiegert, Christian

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AU - Effenberg, Maike Alisha

AU - Alshomary, Milad

AU - Hornecker, Eva

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N2 - We here present two interactive costumes deployed for a fairy tale performance of a children and youth ballet. These are the costumes of two underwater world characters, a Jellyfish and a Seahorse. Both costumes sense the performers’ motion and decode them to an individual on-body light concept, underlining the role’s expressivity while respecting the overall appearance of the show. A major prospect was to develop the interaction concept according to the choreographic work that evolved simultaneously. Finally, the artistic statement of the costume creators and the choreography are integrated concurrently, and resulted in a harmonious and aesthetically pleasant performance.

AB - We here present two interactive costumes deployed for a fairy tale performance of a children and youth ballet. These are the costumes of two underwater world characters, a Jellyfish and a Seahorse. Both costumes sense the performers’ motion and decode them to an individual on-body light concept, underlining the role’s expressivity while respecting the overall appearance of the show. A major prospect was to develop the interaction concept according to the choreographic work that evolved simultaneously. Finally, the artistic statement of the costume creators and the choreography are integrated concurrently, and resulted in a harmonious and aesthetically pleasant performance.

KW - Ballet performance

KW - e-Textiles

KW - Interactive costumes

KW - n/a OA procedure

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DO - 10.1145/3152832.3156609

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A2 - Williamson, Julie

A2 - Schneegass, Stefan

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ER -

Mermaids do not exist? Interactive costumes do!

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Keywords

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