TY - CHAP
T1 - The power of symbolic packaging cues
AU - van Ooijen, Iris
PY - 2016
Y1 - 2016
N2 - Packaging can be considered as an element of communication in the market-place. By communicating through packaging, marketers are able to appeal to consumers at the most crucial moment in the consumer decision journey: the point of sale. At the point of sale, consumers are able to consider the purchase of a product by evaluating the visual and tactile attributes of its packaging. Marketers increasingly become aware of the powerful role of packaging as a communication tool, which is reflected in the recognition of the capacity of packaging to create product differentiation and identity within product categories that are relatively homogenous, such as FMCG's (Bertrand, 2002; Underwood, 2003). Moreover, some brands (e.g., Dorset Cereals and Innocent Smoothies) have managed to grow towards the top of the market by allocating their advertising budgets almost entirely to their packaging design. Indeed, visual attributes, such as aesthetic appearance but also logos and product claims on the package, have shown to affect product evaluation and preference (Deighton, 1992; Ford, Smith, & Swasy, 1990; van Grinsven & Das, 2014). In this chapter however, we argue that the power of “packvertising” goes beyond the view of packaging as a vehicle that communicates logos, product claims and product descriptions. More specifically, we propose that packaging has the ability to communicate symbolic meaning through unobtrusive features in its design. These features may affect product evaluations implicitly, by drawing from automatic associations that have developed during consumers’ interactions with the world.
AB - Packaging can be considered as an element of communication in the market-place. By communicating through packaging, marketers are able to appeal to consumers at the most crucial moment in the consumer decision journey: the point of sale. At the point of sale, consumers are able to consider the purchase of a product by evaluating the visual and tactile attributes of its packaging. Marketers increasingly become aware of the powerful role of packaging as a communication tool, which is reflected in the recognition of the capacity of packaging to create product differentiation and identity within product categories that are relatively homogenous, such as FMCG's (Bertrand, 2002; Underwood, 2003). Moreover, some brands (e.g., Dorset Cereals and Innocent Smoothies) have managed to grow towards the top of the market by allocating their advertising budgets almost entirely to their packaging design. Indeed, visual attributes, such as aesthetic appearance but also logos and product claims on the package, have shown to affect product evaluation and preference (Deighton, 1992; Ford, Smith, & Swasy, 1990; van Grinsven & Das, 2014). In this chapter however, we argue that the power of “packvertising” goes beyond the view of packaging as a vehicle that communicates logos, product claims and product descriptions. More specifically, we propose that packaging has the ability to communicate symbolic meaning through unobtrusive features in its design. These features may affect product evaluations implicitly, by drawing from automatic associations that have developed during consumers’ interactions with the world.
M3 - Chapter
SN - 978-3-658-10557-0
SN - 978-3-658-14082-3
VL - VI
T3 - European Advertising Academy
SP - 365
EP - 378
BT - Advances in Advertising Research
A2 - Verlegh, Peeter
A2 - Voorveld, Hilde
A2 - Eisend, Martin
PB - Springer
CY - Wiesbaden
ER -